Archive for July, 2011

#IPADay at Mr Foley’s: Is Double RyePA the New Citra?

July 31, 2011 9 comments

If I only got to drink one style of beer for the rest of my life it would be India Pale Ale.  I think that’s probably the case for a lot of beer bloggers.  It certainly seems to be the beer that geeks are made of, at least in its US incarnation.  The IPA that got me really excited was a British-made but US-influenced IPA, Thornbridge Jaipur, and it’s gratifying to see that it was also a watershed beer for Kelly Ryan who brewed it for some years.

In case you haven’t noticed, Thursday 4 August 2011 is International IPA Day, details of which are here.  Pubs and breweries in a number of countries will be staging events and David @broadfordbrewer Bishop pulls together details of events at The Sparrow in Bradford, The Grove in Huddersfield and Mr Foleys in Leeds here.

As for myself, I’m very much looking forward to attending Mr Foleys, where they’ll not only have an amazing range of IPAs but also a choice of two curries from Leeds’ most exciting secret curry ninjas Manjit’s Kitchen.  There will be brewers or representatives from many of the breweries whose beers will be on and also talks from Zak Avery and Mark Fletcher of this cyberparish.

I think the range of beer is incredibly exciting, as previously set out on Neil’s blog and lazily copied and pasted here.  Please note that it may be subject to minor changes:


Magic Rock ‘Human Cannonball’ 9.2% £5.50/£2.75
Summer Wine ‘7C’s of Rye’ 7% £3.20/1.60
Brewdog ‘Hardcore IPA’ 9.2% £5.00/£2.50
Brewdog ‘Hello, My Name Is Ingrid’ 8.5% £5.00/£2.50


Thornbridge ‘Germinus’ 8.5% £3.50/£1.75
Buxton ‘Axe Edge’ 6.8% £3.30/£1.65
Kirkstall ‘Dissolution IPA’ 5% £3.00/£1.50
Roosters ‘Underdog IPA’ 5% £3.00/£1.50
Red Willow ‘Peerless’ 5.2% £3.00/£1.50
Hardknott ‘Code Black’ 5.6% £3.10/£1.55


Odell ‘Myrcenary IPA’ 8.5% £5.50
Odell ‘IPA’ 7% £4.20
Stone ‘Cali-Belgique 2010’ 6.9% £6.00
Victory ‘Hop Devil’ 6.7% £4.00
Victory ‘Hop Wallop’ 8.5% £5.00
Dogfish Head ‘90 Minute IPA’ 9% £6.00
Sierra Nevada ‘Torpedo’ 7.2% £3.80
Maui ‘Big Swell IPA’ £4.30
Goose Island ‘IPA’ 5.9% £3.30
Brewdog AB:06 11.5% £15.00
Brewdog ‘Punk IPA 5.6% £3.40
Brewdog ‘Hardcore IPA’ 9.2% £4.50
Red Willow ‘Ageless Double IPA’ 7.2% £4.00

Dean asked me to write something recommending a beer for the menu, but I found it impossible to pick a favourite from such a great selection.  Of those I’ve had, my all-time favourite is probably O’Dell IPA, although I had the Myrcenary last week and it was great, and I love Torpedo, and… and…  So, instead I decided to recommend Goose Island IPA, (an excellent beer but not an extreme example or an exciting rarity like some of the rest) as a good introduction to the style.

On the day however, I know I’ll be focusing on the exciting range of keg and cask beers I haven’t tried before.  The Summer Wine 7Cs of Rye should be an interesting experiment, a rye version of one of the most exhilaratingly uncompromising British IPAs.  Given how good Magic Rock Cannonball is, I can’t wait to try Human Cannonball.  BrewDog My Name Is Ingrid should be a fascinating beer, a double IPA made with  Citra, Nelson Sauvin and Bramling Cross hops and fresh Scandinavian cloudberries! I don’t even know what a cloudberry is, but so long as it’s not a Viz-style pun, they sound great.

As for  the cask I haven’t tried, there’s a black IPA from Hardknott and an exciting new beer that might indicate what course the Fozard lads might be plotting with the good ship Roosters when Sean Franklin hands them the helm shortly.  There’s also a double rye PA from Thornbridge (which should really be called “Raipur”, as The Beer Monkey suggested), which is the second brand new strong rye IPA on the list: perhaps this is an indication of the next big thing? Is Double RyePA the new Black IPA, the new Citra or even (*whisper it*) the new Saison?

Seriously though, I very much doubt I’ll get through all those new beers in one sitting, but I should also say that all of those other beers which I’ve tried before are actually genuinely great, not a duff one between them: RedWillow, Buxton, Maui, Victory, Stone

I am beginning to suspect that IPA may in fact be the only beer style I drink before I die, but not in the manner intended.  I’m just putting a lot of trust in the curry and thanking my lucky stars I won’t have spent the previous few days at the Great British Beer Festival, so I’ll be fighting fit.  Unlike some of you lot.
Categories: Beer

CAMRA v Yorkshire: The Myth Of The Local

July 28, 2011 8 comments

On 12 July 2011 the winner of a Yorkshire Post/Welcome To Yorkshire vote to name “Yorkshire’s Favourite Pub” was announced at The Great Yorkshire Show.  The winner, by public vote, was The Shibden Mill Inn, near Halifax.

The shortlist of 12 was as follows: “The Adelphi, Leeds; The Angel Inn, Hetton; near Skipton: The Anvil Inn, Sawdon, near Scarborough; the Black Swan Inn, York; The Black Swan, Driffield; Durham Ox, York; Farmers Arms, Upper Swaledale; George and Dragon, Hudswell, near Richmond; The Milestone, Sheffield; One-Eyed Rat, Ripon; Shibden Mill Inn; Shoulder of Mutton, Harrogate.”

What I find interesting is that, unlike a lot of the other entries, the Shibden Mill isn’t actually in the current edition of CAMRA’s Good Beer Guide, according to my iPhone app.  I wonder what it was that meant that a public vote for a favourite pub selected a Cask Marque pub which serves real ale (“a wonderful selection of cask ales”) and yet has been overlooked by CAMRA?

The thing that sticks out to me from the website, having not actually visited, is that it looks like a very nice place to go for dinner, or to stay in one of the rooms.  Basically it sells itself more as a venue for eating than for drinking, and perhaps this is the reason that it’s not included in the Good Beer Guide, with the Halifax/Huddersfield area offering quite a few excellent pubs that are obviously pubs. I would assume that most of the other finalists have a good bar menu as well.

This might be indicative of a general disconnect between the general public (or perhaps casual pub-goers) and CAMRA/beer geeks.  Many of the casual pub-goers go to the pub once a week for a hearty weekend meal and one or two pints of a beer at a sensible ABV, perhaps before driving home.  By contrast, I imagine most of the latter group (whether at the CAMRA or bloggerati end of the spectrum) would view The Grove in Huddersfield as close to a Platonic ideal: a huge, ever-changing selection of good beer, some bar snacks and staff who know their stuff.  Essentially, we want Dave and Barbara to refer us to the blackboard.

I may be reading too much into it, and it’s simply that the average Yorkshire Post reader wants different things from the pub than an average active CAMRA member.  Another illustration might be my reaction to the recent Leeds Bar & Club Awards 2011, where my favourite Leeds pubs were largely overlooked in favour of what I would class as weekend music venues.  It’s probably just the case that the people who voted (including Leeds Guide readers), unlike myself, view a Saturday night on Call Lane as something other than the third circle of hell.

I think my conclusion is the rather mundane one that different groups of people frequent different types of pub.   Our idealised view of the pub as a place where the whole community comes together, the ultimate “Third Place“, is probably a fallacy.  There have always been different drinking venues for different people: working men’s clubs, political clubs, gentleman’s clubs, student’s unions.  The “local” wasn’t always welcoming for all and many people would never have been seen dead in one.

Basically, what makes a good pub for me is probably not to a lot of other people’s tastes.  When people talk about “the pub” they can mean vastly different things.  I’m fortunate that, at the moment, there appear to be enough like-minded people who are interested in variety and what I regard as good beer to keep the places I love going, and that these pubs in turn support a thriving craft brewing industry.

Pewter World: The Sheffield Tap and Thinking Tankards

July 24, 2011 10 comments

A good Sunday, on which we went to Sheffield to walk around John Lewis with a scanner to assemble a wedding list.  This turned out to be less of a chore than it might have been (“Yep, if someone wants to buy me one of those, that would be nice”) , and we got a free pot of tea and cherry Bakewell bun each in the John Lewis cafe for our efforts.

Afterwards I was rewarded for good behaviour with a trip to the splendid Sheffield Tap for a few beers before the train back to Leeds.  A bottle of Thornbridge Versa, the brewery’s new Weisse Beer, was very nice: pleasant and banana-ey, basically a well-crafted and unimpeachable version of a style that doesn’t really excite me.  Magic Rock High Wire was on solid form on cask and Thornbridge Raven, also on cask, remains a truly great beer.  A bottle of Urthel Hop-It (9.5%; crikey) was a nice blonde hoppy Belgian, but far from being the US-influenced double IPA that I had expected for no good reason.  Note for the future: if you want a US double IPA, just order one.

The main point of this blog post, however, is to ask your opinion on a matter of some recent concern to me: pewter tankards.  Beer can be drunk from pewter in the Booking Office bar at St Pancras, as well as the Fox & Anchor at Smithfield.  In both North and Further North in Leeds, regulars have their own pewter tankards hanging on the wall by their names.

But are they really any good?  Do they add or detract from the drinking experience? You certainly see less of the beer, but does it taste more metallic? Do they keep the beer colder than glass?  I’m thinking of adding a Sheffield-make tankard to my wedding list and your comments would be a great help.

Station To Station: The Booking Office, St Pancras Renaissance Hotel

July 20, 2011 5 comments

If you ever go to New York I recommend having a Prohibition Punch (as modelled by Kate, below) at The Campbell Apartment in Grand Central Station. The apartment, previously the luxurious private office of John Campbell, a jazz age financier and railway tycoon, was reopened as a bar in 1999 with a suitable cocktail menu.

Our previous trip to the Campbell Apartment was one of the reasons I wanted to visit the new Booking Office bar at St Pancras. The recently-opened Renaissance St Pancras Hotel occupies part of the huge and ornate Midland Grand Hotel (1873-1935) as designed by Sir Gilbert Scott, after whom the new fine dining restaurant headed by Marcus Wareing is named.  A lot of thought has gone into recreating the glamorous history of the building, from the décor to the historic recipes in the restaurant.

The Booking Office bar, which was the old ticket office, stands between the hotel lobby and the first floor platforms from which the Eurostars run to Paris, beside Carluccio’s and The Betjeman Arms. The room itself has a hugely high ceiling. On what was a very warm summer’s day it was a nice, cool place to relax before the train back to Leeds.

We ordered a couple of cold beers to start with and had a good light lunch: a chicken and avocado sandwich for myself and salmon fishcakes for Kate. They had a number of Meantime beers on keg including their very pleasant London Pale Ale. The beer came in pewter tankards, which was a first for me. I’m not entirely sure if it added or detracted from the beer, but it definitely looked good and kept the lovely crisp pale ale cold and refreshing. 

In common with the recipes used in The Gilbert Scott, the drinks menu in The Booking Office is intended to hark back to the era of the original Midland Grand. The beers may ruin this theme slightly by being on keg rather than cask, but they are of good quality (Meantime, Harviestoun). Meantime attempts to replicate old beer styles so the method of dispense perhaps shouldn’t matter quite so much.

However where the focus lies is the cocktail and punch menu. I had a Billy Dawson Punch Rocks, a nicely boozy punch which came in a small copper mug with fruit floating in it. Kate had a nice lemony concoction made with egg white, the name of which escapes me.

Of course the bill was a bit steep, but The Booking Office is a very special place to sit for a while, soaking up a little bit of glamour and a nice punch. As railway waiting rooms go, it definitely beats the first class lounge in Kings Cross.

The Black Dossier: Black Rocks v Proper Black v Kernel Black IPA v Raven v Sublimely Self-Righteous Ale

July 13, 2011 14 comments

I’ve avoided tasting posts recently, as I realised some months ago that it wasn’t my forté.  However, with five black IPAs in the fridge, it seemed a shame not to do a little experiment, so here we go:  five black IPAs enter the ring; only one will emerge victorious. With a style this nascent, but already verging on passé in some quarters, it’s worth seeing what it really has to offer, eh?

Buxton Brewery Black Rocks 5.5%

Prior knowledge: Nice on cask, from a very promising new brewery who specialise in hop-forward but drinkable beers.  I met the guys from the brewery at North Bar recently and they were lovely.

Label-derived facts: Contains Columbus, Cluster and Southern Cross hops.

Blackness: Pretty bloody opaque to start off with, in a full glass. Not priest-sock black, but cola-like round the sides as it gets to the bottom.

Aroma: Nice light citrusy aroma. Bodes well.

Taste: Good, very slightly oily mouthfeel. Acidic, citric taste (unspecific fruit) and a little blackcurrant, some background espresso roastiness. Is light roastiness good or bad in a black IPA? Bad for the illusion, but when you boil it down, perhaps this is the genre’s USP?

Turning to the dark side rating: 7/10. A good very, drinkable beer and a fine example of the form. Smells great, but I would prefer a more malty US-style IPA or a pale ale with some fresher fruitiness. For more on Black Rocks, see Hopzine.

St Austell Proper Black 6%

Prior knowledge: Black version of Proper Job, which is an excellent bold IPA and arguably the best widely-available cask beer in Cornwall. Original beer named after some Cornish regiment’s involvement in quashing the Indian Mutiny, presumably explaining the strikingly bitter aftertaste.

Label-derived facts: Brewer’s Gold, Chinook, Centennial, Cascade hops. Their own yeast. You can’t have any of St Austell’s yeasty goodness. Their mycoculture is their castle.

Blackness: Less opaque than above, but black enough. At least as black as Guinness Original, I reckon.

Aroma: Less than the Black Rocks, light and citrusy but slightly bready too.

Taste: Thinner and certainly more savoury and traditional on the tongue, much more like an English pale ale. Fizzy with larger bubbles, despite also being bottle conditioned. Not exactly kicking my arse with the bitterness, immediately following the Black Rocks. More dark chocolate than coffee in the roastiness, as well as a little bit of nuttiness.

Turning to the dark side rating: 6/10. A pleasant beer but not one that really shows off the appeal of the style. Faced with this and a Proper Job, I might choose either depending on my mood, but would go for the Proper Job 66% of the time.

The Kernel Berwery India Pale Ale Black 7.2%

Prior knowledge: I like this. Glyn from the Rake collaborated in the brewing of it. Kernel are basically this one bloke who sold cheese at Borough Market and developed his home-brewing into his job.  Blessed are the cheesemakers.

Label-derived facts: It’s a black IPA from Kernel. It’s bottle conditioned. It’s best before March 2013 (really?).

Blackness: Quite black. It’s got a lot darker since I opened the first bottle so difficult to say. Basically they’re all dark brown really, but Dark Brown India Pale Ale isn’t as compelling a name for a style.  None of them are “priest-sock black”.

Aroma: Stunning. Big, heady aroma with passion fruit, lychee, all that tropical stuff that you get in cans of Rubicon.

Taste: A slightly fizzy mouthfeel that merits a bit more swirling to knock the bubbles out. After that much smoother. The rich and lasting tropical citrus bitterness is great and pretty much eclipses any roasted malt flavours until the death, where there is a smooth chocolatey whimper in the night.

Turning to the dark side rating: 8/10. Really nice, but I still prefer some of Kernel’s non-black IPAs. The brilliant distinguishing hoppy freshness of the Kernel range is very slightly cut short by the underlying roastiness. It is very lovely though. Mmmm…

Thornbridge Raven 6.6%

Prior knowledge: The first Black IPA I ever had, from cask in the Narrow Boat in Skipton on the day before my 30th birthday. It was sensational then, but I’ve rarely had it since and never from the bottle.

Label-derived facts: Nelson Sauvin, Centennial and Sorachi Ace hops. Maris Otter, Black and Chocolate malts.

Blackness: Espresso-coloured.

Aroma: Right from the first smell you get the roastiness along with the pine and fruitiness.

Taste: This mixture of flavours comes through to the taste. There is much more coffeelike maltiness than the previous examples, but it still doesn’t dominate and the fairly complex-tasting varieties of hops come together into a wonderfully sweeping mixture of bitterness. Not too bitter though, but a drink to really savour, with the warm booziness more obvious than the Kernel.

Turning to the dark side rating: 9/10. Suddenly Black IPAs make sense: a fantastic beer all round. There’s a good malt flavour in here that is perfectly balanced with the rich bitterness and solid ABV. However, it could easily be described as a light hoppy porter; you definitely would not mistake this beer for a normal IPA if you closed your eyes.

Stone Sublimely Self-Righteous Ale 8.7%

Prior knowledge: 100/100 on ratebeer. Crikey. This one’s a bit old, unfortunately. Big hoppy Stone beers seem to be slightly past their best when they get to us in the UK and then I went and sat on this bottle for a couple of months. Idiot.

Label-derived facts: Blah blah blah “first brewed in 2007 as the Stone 11th Anniversary Ale” blah blah blah “thusly” blah.

Blackness: Black, ruby notes around the edge when held up to the light.

Aroma: Woah! Big, strong malty high-ABV US IPA smell, with even more molasses.

Taste: Dark, liquorice, bitter, very richly flavoured indeed; really big and viscous. Calls out for some food and a glass of water to break it up a bit. There’s a lot of slightly acidic bitterness, but no obvious fruitiness. Loads of dark fiercely bitter chocolate malt.

Turning to the dark side rating: 7/10. Perhaps less fresh than it should have been, this bottle is an enormous, dark, malty, bitter and interesting drink to sip slowly. It’s not an IPA though… or not any more, anyway.

The Black Gospel

Firstly I should say that I felt that I got value for money for each of these bottles.  They were all, at the very least, good beers from great breweries.  I think that I should caveat the above by saying the Stone beer was older than it really should have been, so don’t let me put you off a fresh bottle.

After trying all of them over a few nights, it’s clear there’s a balance to be struck with Black IPAs.  You can pretend that there’s no dark malt involved at all and try to surprise people, or you can embrace a limited amount of roastiness and make a great beer with [Greg Wallace voice] big hop flavours [/Greg Wallace voice].  That’s what Thornbridge Raven is: a wonderful, sophisticated, superbly balanced beer that expertly exploits the best features of the style.  But what else do you expect from Thornbridge?

Hardy Boys and Girls: Chorlton Beer Festival, Manchester

July 10, 2011 11 comments

I do like beer festivals.  CAMRA are subject to a lot of criticism (some of which is justified) and stereotyping (some of which is hard to disprove), but the organisation and volunteering behind local beer festivals is a testament to a common interest that these people are willing to sacrifice their time pursuing and promoting.

So, in Chorlton-Cum-Hardy at the weekend, I went to a beer festival in a churchyard and tried a lot of nice beers, the best of which (to my mind, and of those that happened to be still on in the four hours I was there) was Moor Illusion, a nice hoppy porter/black IPA (Who knows?  It smelled great and tasted really good).

I sat outside on garden furniture; chatted with my brother and his girlfriend; listened to some live light jazz; witnessed a dramatic moment when a plastic gazebo was destroyed by the wind; ate a roast pork sandwich; saw two friendly vicars; used a chemical toilet of only moderate eurgh-ness; and was surrounded by people who were having a good time.

Chorlton-Cum-Hardy seems very Nigel Slater: jute bags; yummy mummies; designer cupcakes; and yoga.  I live in a not-dissimilar (but not quite as marvellous) area of Leeds.  Days like this, and the Chapel Allerton festival in Leeds (not strictly a beer festival, but usually served by a Roosters stall) help us think that we live in villages even though we don’t: we live in cities and arguably, in both cases cited, unrepresentative middle class enclaves inside those cities.

We actually live in a massively complex  overlapping Venn diagram comprised of electronically-connected diasporas of shared social and economic interests, rather than simply geographically proximite communities.  As such mutual interests go (knitting; yoga; accountancy; battle reenacting; comics; medicine; death metal; crown green bowls; dogging), beer is a good one for me, and I’m very grateful for the volunteers that allow us to enjoy and share such an interest, in the sunshine with friends, on days like this. Because we all need to feel like we belong, and a good beer or four helps that process immensely.

Gastrophysics: Town Hall Tavern, Leeds City Centre

July 6, 2011 2 comments

Anthony Bourdain in his article “A Drinking Problem” (collected in The Nasty Bits) entertainingly ranted about an imagined London pub that had just “gone gastro”.  Good food and good beer, he said, should be nowhere near each other.  Pernicious foodies ruin traditional English pubs.  He has since retracted this view, but it’s a commonly-held one.

My own view on gastropubs is divided.  I like good restaurants that serve decent beer; and I also like good pubs that do good food.  What I don’t want is for a good pub to become merely a restaurant-in-pub’s-clothing;  one of those places that you get in London where you walk in, order a pint and the manager glares at you like a spent scratchcard for refusing to order food, a poor return on his investment.

The Town Hall Tavern in Leeds is a relatively historic pub (1926) which has recently “gone gastro”.  A Timothy Taylor house opposite the courts, I used to come here on an irregular basis for a well-kept pint of Landlord or one of the less widespread Taylor’s beers such as Ram Tam.  Beyond that, the old pub didn’t have an awful lot going for it: certainly friendly enough but with too much pine, too much carpet, a fruit machine and pointless televisions.  Because it’s opposite Leeds Combined Court Centre it historically had a lot of legal clientele; but I think when Veritas opened, with its wine list and charcuterie boards, that was more the type of place suited to today’s counsel and solicitors.

When the Town Street Tavern was revamped I was initially sceptical.  The new exterior looked like it was trying too hard: a bit art deco with some unfortunate purple strip lights.  But inside it’s surprising and also considerably improved: floors stripped back to the wood, new green tiles on the walls, no more televisions, a blackboard, some old Timothy Taylor’s ads, and photos of old Leeds, alongside random pub ephemera including (of course) Beer Street and Gin Lane prints.  There are some self-consciously quirky teapot lampshades, memorably described on The Apprentice recently as an “idea” rather than a “concept”.

What is perhaps most surprising is the selection of beer.  Whilst the cask range is, as before, exclusively Taylor’s (Landlord, Ram Tam, Golden Best), the keg beer includes three from Staffordshire’s Freedom Brewery.  They’ve even opted for Freedom’s pleasant roasty Stout in preference to Guinness.  The fridges have an interesting selection of imported bottles from Beer Paradise, including O’Dell Cutthroat Porter, Sierra Nevada and Flying Dog Pale Ales, Jever and Tripel Karmeliet.  There are also cocktails and a wine list.

The menu looks attractive and I opted for a simple fish and chips, which was very nice indeed and came in suitably gastro-sized portion (“feed not fill”).   You can check out more about the food on the website and this mouthwatering Leeds Grub blog post.  I should also mention that the service was excellent.

So overall I’m happy with the makeover and it will make me visit more than previously.  Whilst the Town Hall Tavern is not quite a destination beer bar to rival Mr Foleys or North Bar, it is a much-improved pub where you can eat and drink well.

Importantly, on a Friday evening it didn’t seem to me that there was too much pressure to order food rather than simply drink.  That puts it in a pleasant category with a few other places like The Adelphi (and indeed Veritas) where you might have a few good beers, see another table tucking into some very well-presented food and decide to stay for a light or full meal.  That gastro Goldilocks zone where it’s not too restauranty, not too pub grubby, but just right.

Rock & Roll Circus: Magic Rock Launch Night at North Bar

July 1, 2011 9 comments

I was very excited when I first read about Magic Rock Brewing Company on Mark Dredge’s blog in February. Stuart Ross had been brewing some excellent, hop-forward beers at Crown Brewery in Sheffield, including the outstanding well-hopped porter (explicitly not a black IPA) Brooklyn Black.

With Magic Rock, he was teaming up with Jonny Burhouse and  Richard Burhouse of, the Huddersfield-based online beer shop that sells a great selection of the best modern British and US craft beers.  So the new company has quite a lot of talent when it comes to both brewing and marketing.

Unfortunately I wasn’t able to attend the first launch night at The Grove Huddersfield (as documented by Neil here), but happily North Bar had another event this week. Manager Matt and the staff had gone all-out for this one, following the theme of the really good-looking labels to dress up themselves and the shop as a circus. Matt (of course) was the ringmaster and there were even stilt walkers and a contortionist. I did feel sorry for Jim in his lion suit though.

In a short time I managed to sample all of the beers, but I basically stopped taking detailed tasting notes after an array of bloggers and tweeters arrived. However, you would be better off reading Neil’s and Leigh’s blogs for that in any event. I can tell you that Curious is a nice, stridently hopped pale ale with a more bitter than sweet flavour that punches well above its 3.9%.

High Rise is a very good citrussy West Coast pale ale whilst Rapture is an absolute stunner of an amber/”red-hop” IPA; an instant classic. Cannonball was a great strong IPA on keg, the match of its American counterparts. Finally (back on cask) Dark Arts is a really nice rich and complex stout with good berry notes.

It doesn’t take a fortune-teller to predict a bright future for Magic Rock. Their attitude to hops and dispense will chime well with beer geeks whilst their elegant and unique branding and quality beers should hopefully win over the wider public.  You can buy their bottles from, unsurprisingly.

Matt and the staff at North did a fantastic job of making the night a lot of fun and once again reminded us why North is and has been such an asset to the UK beer scene. Upcoming events include their annual US Beer Festival from 4-15 July 2011, which was a real education in beer for me last year.

Read Leigh’s post about the evening here.

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