The island of Ireland was such a dystopia of beer choice in the early 1970s that a visit inspired four English visitors to band together and form a consumer group to save the remnants of English cask ale when they got back home.
CAMRA lacked significant extraterritorial influence, so cask ale has not had a major resurgence since the 1970s on the island that inspired the campaign. However, as various seasoned Irish bloggers have documented, Ireland has a much more exciting and varied beer culture in the 21st century than it had in the last, but at the same time I didn’t expect a visit to rural Donegal to offer more in the way of beer than Guinness, Guinness or Guinness.
Accordingly, when I last visited Rathmullan for a fishing trip two years ago, there was no evidence of craft beer. But, since then, the small seaside town has acquired its own farmhouse brewery, Kinnegar Brewing, whose beers are available in bottles or on keg in a number of local pubs, including The Beachcomber Bar and The White Harte.
Moreover, Kinnegar seems to be distinguished by a level of quality that most new English breweries fail to achieve. Scraggy Bay IPA in particular is an assertively bitter and citrussy but well-rounded New World-hopped IPA that would hold its own against Jaipur, Punk or Diablo.
After a long day’s fishing off Killybegs, marked by a shortage of actual fish, but the compensation of a pod of dolphins swimming with the boat, I was very happy to sit outside The White Harte, nursing an increasingly red forehead and watching the sun go down over Lough Swilly with a cold glass of a genuinely very good Irish IPA. In the same setting I would have suffered a Guinness too, but still.
Kinnegar’s stockists are listed on its website and include bars and off licences throughout the island, including The Vineyard in Belfast and L Mulligans Grocers in Dublin.
It did seem that the craft beer revolution had stopped being able to squeeze into its tight girl jeans and instead had pulled a nice comfy Blue Harbour rugby shirt over its growing paunch when Marks and Spencer started selling single-hopped beers, but Oakham Citra under M&S branding being so widely available to the poor huddled middle classes should not be shrugged at. The other beers (Elgood’s Sovereign, Crouch Vale’s Hallertau Brewers Gold and Castle Rock’s Cascade) were each interesting enough, but none were as well-rounded or exciting as Citra, which qualifies as a modern classic.
It seems that the initial experiment was successful enough for M&S to ask for more single-hopped beers from their favoured English breweries, and two new bottles, Mosaic Pale Ale from Adnams and Amarillo Golden Ale from Meantime, caught my eye this week.
Both breweries have had good-to-excellent form in their previous offerings for M&S. Adnam’s Summer IPA and Winter IPA (rebadging their American Style IPA and Innovation respectively) are two of the most enjoyable beers that Marks and Spencer have stocked, and it seemed doubly bold of M&S to stock hoppy beers that exceeded 6%. I was less convinced by the rebadged Sole Star, but it was acceptable for a tax-efficient 2.7%. Meantime’s more expensive barrel-aged offerings have been less successful, but their Black IPA was solid, even if black IPA in M&S feels like Motörhead t-shirts in New Look.
Moving on to the new beers, Adnam’s Mosaic Pale Ale is copper blonde in colour with a slightly metallic aroma. The overall impression from the first taste is a thin mouthfeel and restrained dry bitterness without much depth. The metallic taste builds into a more rounded bitterness, but one characterised by that oniony quality that you get from Simcoe (from which Mosaic is derived). It’s a more pleasant drink than that sounds, perhaps one that will appeal to Brewdog fans given their signature use of Simcoe and which might go well with barbecued red meat.
The Meantime-brewed Amarillo Golden Ale is another story altogether: it’s straw coloured with a whiter, frothier head. A fuller, oilier mouthfeel sustains the flavours of apricots and flowers, with a little grapefruit. A more elegant beer than the Mosaic and an easier one to love, it would go well with light, spicy foods and mango salsa.
Both are pretty good for the barbecue season then, but I would recommend the Amarillo and the still-available Citra if your tastes are similar to mine.
I recently read a Facebook post that appeared to be by Belfast record shop owner and label starter Terri Hooley. The post drew attention to a mini-review of the film of his life, Good Vibrations. The review was on a site called “Letterboxd” (a social networking/microblogging site for film fans) and only said:
The ultimate proof (if any more was needed after he put Saving Mr. Banks on his year-end top 10 list) that Mark Kermode has become an old, whiny, out-of-touch, middlebrow and sentimental fart.
Mark Kermode had named Good Vibrations, which is a lovely low budget film based on Terri’s own anecdotes about the liberating effect of punk on himself and the teenagers living through the worst of the Troubles in Northern Ireland, as one of the best of last year. In the Facebook post, Terri was angry about Mark suffering the “backlash” that he had expected from the film but hadn’t yet experienced.
Good Vibrations is not flawless as films go, not least because of its limited budget, but most people will find themselves swept along in its humour and amiability and appreciate Terri’s fundamental rightness in supporting music’s redemptive effect in a situation sorely lacking in redemption; a Northern Irish Twenty Four Hour Party People with less knowing playfulness but higher stakes.
But there will be exceptions and, in 2014, some of those people will decide to tell the internet when they didn’t like it. When they decide to do so, they will tend not to consider the possibility that someone who invested more in the end product than the cost of an online rental might read it. Like Terri, for example, for whom it is essentially the end product of his entire life, along with introducing John Peel to the Undertones (and selling me a Frank Zappa bootleg 14 years ago).
The reason that I’m writing this on a near-defunct beer blog is that it reminds me of the situation regarding beer. The craft beer industry is full of people who have a really close connection to their product, take pride in their work, will be genuinely hurt by online criticism and consequently annoyed by it, especially when that criticism comes from people who appear not to know what they’re talking about. Except it is also the case that the people who are criticising them aren’t usually claiming to express an expert opinion, but are merely venting the feeling that they didn’t get value for money from the beer they bought, which might have been an actual problem of quality, a misunderstanding about what the brewer was trying to achieve or possibly even an utter failure of palate.
I am in no position to criticise a brewer for what they are trying to do when occasionally they fail to achieve it, and consequently don’t have a lot to say these days. I would be more willing to criticise a larger brewery for trying to piggy-back on the shoulders of many smaller brewers and launching “craft beers” that merely devalue that already-amorphous term, if the whole situation didn’t fill me with inertia.
But, I suppose, if there is a moral to be taken for brewers it is to listen to individual criticisms, be open to their validity, but also be prepared to dismiss them graciously and/or silently if they obviously have no merit. The product will, over time, probably speak for itself. The risk of the alternative is to be Ricky Gervais, railing against “critics” and turning everyone else against you in the process.
Finally, I would recommend that you watch Good Vibrations. It’s a craft film if ever there was one.
The treat of an unusual morning off. The blessed, wonderful knowledge that tonight – the feast, the indulgence, the excess – will be followed by a morning in bed. The alarm snoozed. The hangover quietly slept through.
The time to fry some bacon and quietly convince your stomach to keep that much-needed salt and fat down, rather than a rushed morning; a precarious bus journey; putting on a brave face for 9am. You would forgive a war criminal in exchange for that morning off. A monster.
For a queen? An unelected monarch? A benign but ideologically objectionable symbol of a system wrought with class, privilege, prejudice, wealth and status? For this morning… fine. That’s just fine.
I mentioned in my post regarding the Garrett Oliver lunch at Mr Foleys that there was a journalist from BBC Radio 4 present. The episode of The Food Programme that he recorded was broadcast today and will shortly be available on iPlayer here and also as a podcast from this page.
Whilst there are a couple of slight slip-ups and the odd oversimplification for those who are paying attention, it’s a wide-ranging and interesting programme, including contributions from Pete Brown, James Clay, Neil from Eating Isn’t Cheating, Rob from Hopzine and breweries such as Bristol Beer Factory and Camden Town in the UK and Harpoon and CBC in the US. It’s certainly one of the most up-to-date and least clichéd mainstream programmes I’ve heard about beer and a good recognition of the US craft influence on UK breweries.
It’s been a month and a half since #IPA Day at Mr Foleys and the leaves have started to turn. I don’t have a lot more to say other than that it was a great success, I had a fantastic day, enjoyed the esteemed company and tried some superb, occasionally very strong beers.
So this is mainly an excuse to post some photos of the day, which in itself is only really worth it for that one shot of Hardknott Dave in full, thunderous flow, doing his utmost to be heard above the crowd, whether they liked it or not. He could easily be a Free Presbyterian minister if only he wasn’t so keen on the Devil’s buttermilk.
For Leigh’s contemporaneous comments on the remarkable selection of beers Dean had brought together for #IPAday, see this post.
Our first day on The Dales Way (foreshortened and in reverse) was from Kendal to Millthorp on Easter Sunday. This was a really beautiful walk on a sunny day, passing over some lovely pasture before crossing over the West Coast Mainline and the M6 to join the Lune river at Crook of Lune bridge and following it south to join the Rawthay river.
The end of our walk that day was Millthorp Bridge, but 1km up the road from the finish point is Sedbergh, the place where Kate and I are getting married in October (*knock wood*). Opposite the church in the centre of the village is The Red Lion pub, the first of three “lions” on our journey.
Much as we’d accidentally stumbled upon a beer festival in Kendal before starting the walk, we were lucky enough to find a beer festival going on in the pub, or rather in a satisfyingly cool stone shed out the back. A very helpful barman who was there specially for the beer festival took us out to the back and told us about the selection.
As usual, I had been daydreaming for the last few hours about the beer I would have at the end of the stage. My thoughts were in the region of pale, hoppy, thirst-quenching beers, such as Hawkshead Windermere Pale or Ilkley Mary Jane. Although they didn’t have either of those, they did have BrewDog Trashy Blonde.
It might have been the sunburn, the thirst or the tiredness and reflief at the end of the first day, but that Trashy Blonde was one of the most enjoyable pints I’ve ever had. Just cool enough, bitter and fruity and seemingly a real improvement on the bottle of the same beer I’d had in Leeds previously. I obviously inhaled the first pint before having a second.
We also tried a couple of the the other beers. Marston’s Royal Wedding beer Perfect Union was a nice light hoppy beer and Rooster’s Leghorn was also fine, but on this occassion, both gentleman and lady preferred the Blonde. This was a very promising end to the first day, and seemed to bode well for the rest of the walk. However the next day we would be less fortunate.